Robert Hoffmann

The prismatic portrait of the days and nights of a party girl in sixties Rome is a revelation. It follows the gorgeous, seemingly liberated Adriana as she dallies with a wide variety of men, attends parties, goes to modeling gigs, and circulates among the rich and famous. Despite its often light tone, though, the film is a stealth portrait of a suffocating culture that regularly dehumanizes people, especially women.