"In the declining Weimar Republic, Egon Loeser works as a stage designer for New Expressionist theatre. His hero is the greatest set designer of the seventeenth century, Adriano Lavicini, who devised the so-called Teleportation Device for the whisking ofactors from one scene to another-a miracle, until the thing malfunctioned, causing numerous deaths and perhaps summoning the devil himself. Apolitical in a dangerous time, sex-driven in a dry spell,...