The story of a flat and its inhabitants….

WINNER! BEST ANIMATION, SYDNEY FILM FESTIVAL! SOHRAB AND RUSTUM is an animated film by award-winning Australian animator, Lee Whitmore, about a charismatic young English teacher reading a famous poem by Matthew Arnold to her class of fourteen year old girls whose concerns are pop music and nail polish. Unexpectedly the epic poem takes the girls on a journey to ancient Persia and a legendary battle on the sand between two warriors, the Tartar Sohrab...

WATERMELON MAGIC is a “sweet” and tender film about an adolescent farmer’s daughter who learns to grow and part with one of nature’s most loved summer fruits – the watermelon. When Sylvie’s magical wand breaks, her mother comforts her by planting a tray of seeds.

Fusing elements of Kafka and Kubrick, CATERPILLARPLASTY is a prescient, grotesque sci-fi satire that lifts plastic surgery to another level. The film is set in a state-of-the-art clinic that mirrors a twisted cultural and economic system, a world where advanced technologies have cultivated new standards of beauty and prestige. As aggressive body modifications become an increasingly popular fad, the unnatural becomes natural, giving rise to a new kind...

Spanky, Buckwheat, Porky and all The Little Rascals at their hilarious best!

A woman is locked in her home with an EGG, which she is both attracted to and scared of. She eats the EGG, she repents. She kills it. She lets the EGG die of hunger.

UNSEEN explores racial fetishisation and micro-aggressions through the eyes of Lien, a young woman who hopes for more than society is willing to offer her.

A little girl is to play the part of an angel in her school play. Her brother spoils her wings and Amelia tries in vain to find a new pair.

Nobel Prize-winning playwright Samuel Beckett’s lone work for projected cinema was entitled archetypally, Film, and grew from Berkeley’s pronouncement, essi et percipi: “To be is to be perceived.” Yet Beckett’s ontological concerns have less to do with the plastic medium than the nature of recorded and projected images. Film is, in essence, a chase film; arguably the craziest committed to celluloid. It’s a chase between camera and pursued...

Salewa must return home for her mother's funeral, to Lagos, a place where she once had to hide herself. At the funeral, she runs into an important person in her past, as she's forced to go in search of her own peace.