"In The Song Machine, longtime New Yorker staff writer John Seabrook tells the story of the massive cultural upheaval that produced these new, super-strength hits. Seabrook takes us into a strange and surprising world, full of unexpected and vivid characters, as he traces the growth of this new approach to hit-making from its obscure origins in early 1990s Sweden to its dominance of today's Billboard charts."--Amazon.com.

The author of Last Train to Memphis brings us the life of Sam Phillips, the visionary genius who singlehandedly steered the revolutionary path of Sun Records. The music that Phillips shaped in his tiny Memphis studio, with artists as diverse as Elvis Presley, B.B. King, Howlin' Wolf, Jerry Lee Lewis, Ike Turner, and Johnny Cash, introduced a sound that had never been heard before. He brought forth a singular mix of black and white voices unabashedly...

"The story of notorious manager Allen Klein, revealing new, behind-the-scenes details about some of the biggest rock bands in history"--Provided by publisher.

"Innocent continues the story of Rusty Sabich and Tommy Molto who are, once again, twenty years later, pitted against each other in a riveting psychological match after the mysterious death of Rusty's wife"--Provided by publisher.

Told through interviews with both celebrities and less-well known people who knew the late artist, a music writer and editor for The New Yorker tells the story of Shakur's life and legacy.