This is a new translation of the seventh novel in the Rougon-Macquart cycle, L'Assommoir (1877) - the story of a woman's struggle for happiness in working-class Paris. A contemporary bestseller, it outraged conservative critics and launched a passionate debate about the legitimate scope of modern literature.

Explores tattoo origins, women's labor history, circus life and the stories of several women from the late 19th century through the early 20th century who covered their bodies with tattoos and traveled the country, performing nearly nude for all to see. Includes information on Irene Woodward, Nora Hildebrandt, Artoria Gibbons, Betty Broadbent, Jean Furella Carroll, Ethel Martin, Emma de Burgh and others. Also includes some modern performers.

Kitty, a working-class girl, endures the rejection of Philadelphia society, makes her own way as a single woman, and ultimately chooses between an unmarried arrangement with Main Line scion Wynnewood Strafford VI or marriage to a struggling physician

Iris, May, and Ruby are sisters living in Liverpool after WWI. Dutiful, devout Iris runs the household efficiently in place of their deceased mother. Wayward, dreamy May works as a maid but longs to act. And feisty, ambitious Ruby sells corsets to keep the family afloat. With their overbearing father and war-tormented brother, they struggle through poverty, passions, and profound disappointments.

Jane comes to Thornfield Hall as a governess to the young ward of Edward Rochester. Denied love all her life, Jane can't help but be attracted to the intelligent, vibrant, energetic Mr. Rochester, a man twice her age. But just when Mr. Rochester seems to be returning the attention, he invites the beautiful and wealthy Blanche Ingram and her party to stay at his estates. Meanwhile, the secret of Thornfield Hall could ruin all their chances for happiness....