In February 1939, more than 20,000 Americans filled Madison Square Garden for an event billed as a "Pro-American Rally." Images of George Washington hung next to swastikas and speakers railed against the "Jewish controlled media" and called for a return to a racially "pure" America.

In the Mississippi Delta of the 1940s, two farming families one of white landholders, and one of Black tenant farmers are bound by the unforgiving soil they share as they struggle to survive amid the upheavals of World War II and the poisonous hatred of the Jim Crow South. Each family sends a young man off to battle; when they return home, scarred, and find a common bond, the community is ripped apart.

Wednesday is a sleuthing, supernaturally infused mystery charting Wednesday Addams' years as a student at Nevermore Academy. Wednesday's attempts to master her emerging psychic ability, thwart a monstrous killing spree that has terrorized the local town, and solve the supernatural mystery that embroiled her parents 25 years ago all while navigating her new and very tangled relationships at Nevermore.

The themes, images, and cultural vernacular of Victor Fleming's The Wizard of Oz continue to haunt David Lynch's filmography from his early short "The Alphabet" to his television series Twin Peaks: The Return. Is Lynch trapped in the Land of Oz? If so, what can we learn about his body of work by closely examining how it intersects and communicates with that legendary fantasy? In turn, what do Lynch's films have to say about the enduring resonance...